\u201cI have seen myself backward.\u201d
\n\u2013 Philip K. Dick, A Scanner Darkly<\/p>\n
Pro v\u00fdtvarn\u00e9 uva\u017eov\u00e1n\u00ed Daniela Vl\u010dka je kl\u00ed\u010dov\u00e1 zku\u0161enost s komponov\u00e1n\u00edm hudby a elektronick\u00fdmi n\u00e1stroji. V posledn\u00edch letech se sice profiloval jako mal\u00ed\u0159, p\u0159i malov\u00e1n\u00ed ale vych\u00e1z\u00ed pr\u00e1v\u011b z princip\u016f odpozorovan\u00fdch ze soudob\u00e9 eletronick\u00e9 hudby jako specifick\u00e9ho syst\u00e9mu ut\u0159\u00edd\u011bn\u00ed zvuk\u016f. Samply, sekvence, smy\u010dky, repetitivn\u00ed struktury, kombinace cyklick\u00fdch a line\u00e1rn\u00ed \u00fasek\u016f\u2026 Vl\u010dek pat\u0159\u00ed k post-tekno generaci sou\u010dasn\u00fdch t\u0159ic\u00e1tn\u00edk\u016f, kte\u0159\u00ed se rozhodli p\u0159en\u00e9st komplexn\u00ed zku\u0161enost se \u017eivotn\u00edm stylem a estetikou subkultury do sf\u00e9ry sou\u010dasn\u00e9ho um\u011bn\u00ed.<\/p>\n
Po letech str\u00e1ven\u00fdch \u201epolitick\u00fdm harassmentem\u201c s audiovizu\u00e1ln\u00ed skupinou Groupe Guma Guar, rozkro\u010denou pr\u00e1v\u011b mezi institucializovanou um\u011bleckou sc\u00e9nou a tekno subkulturou, Vl\u010dek odsunul stranou aktivistickou, protestn\u011b-kritickou dikci a up\u0159el pozornost k abstraktn\u011bj\u0161\u00edm zku\u0161enostem smyslov\u00e9 povahy. Jeho obrazy a audiovizu\u00e1ln\u00ed instalace se recipienta maj\u00ed dotknout jako konkr\u00e9tn\u00ed \u010dasov\u00e1 struktura \u2013 zav\u00edjen\u00fd, rozv\u00edjen\u00fd, nebo pozastaven\u00fd \u010das \u2013 a p\u0159\u00edmo ovlivnit chod jeho v\u011bdom\u00ed.<\/p>\n
Spojitost s psychedelick\u00fdmi bannery z tekno parties \u2013 vizu\u00e1ln\u00edmi stimulanty u\u017e tak nadopovan\u00e9 mysli \u2013 by u Vl\u010dkova \u201eop-artu\u201c v\u016fbec nemusela b\u00fdt zjevn\u00e1, neb\u00fdt vrstvy konkr\u00e9tn\u011bj\u0161\u00edch referenc\u00ed k elektronick\u00e9 hudb\u011b. A\u0165 ji se jedn\u00e1 o vyr\u00fdv\u00e1n\u00ed geometrick\u00e9ho vzoru podle \u0161ablony z vinylov\u00e9 desky nebo o instalace z elektronick\u00fdch n\u00e1stroj\u016f a zvukov\u00fdch aparatur, spl\u0148uj\u00ed Vl\u010dkovu podm\u00ednku hledat obecn\u011bj\u0161\u00ed principy uvnit\u0159 konkr\u00e9tn\u00edch kulturn\u00edch podm\u00ednek, v nich spl\u00fdvaj\u00ed lidsk\u00e1 mysl a technika.<\/p>\n","protected":false},"excerpt":{"rendered":"\u201cI have seen myself backward.\u201d \u2013 Philip K. Dick, A Scanner Darkly Pro v\u00fdtvarn\u00e9 uva\u017eov\u00e1n\u00ed Daniela Vl\u010dka je kl\u00ed\u010dov\u00e1 zku\u0161enost s komponov\u00e1n\u00edm hudby a elektronick\u00fdmi n\u00e1stroji. V posledn\u00edch letech se sice profiloval jako mal\u00ed\u0159, p\u0159i malov\u00e1n\u00ed ale vych\u00e1z\u00ed pr\u00e1v\u011b z princip\u016f odpozorovan\u00fdch ze soudob\u00e9 eletronick\u00e9 hudby jako specifick\u00e9ho syst\u00e9mu ut\u0159\u00edd\u011bn\u00ed zvuk\u016f. Samply, sekvence, smy\u010dky, repetitivn\u00ed struktury, kombinace cyklick\u00fdch a line\u00e1rn\u00ed \u00fasek\u016f\u2026 [\u2026]","protected":false},"featured_media":3841,"template":"","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-3838","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/exhibition\/3838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/types\/exhibition"}],"version-history":[{"count":0,"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/exhibition\/3838\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/media\/3841"}],"wp:attachment":[{"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/media?parent=3838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}