{"id":3746,"date":"2024-05-03T18:26:53","date_gmt":"2024-05-03T16:26:53","guid":{"rendered":"https:\/\/vlcek.moravany.eu\/about\/"},"modified":"2024-11-01T14:18:21","modified_gmt":"2024-11-01T12:18:21","slug":"bio","status":"publish","type":"page","link":"https:\/\/danvlcek.com\/cs\/bio\/","title":{"rendered":"Bio"},"content":{"rendered":"<p>Mal\u00ed\u0159, hudebn\u00edk a&nbsp;experiment\u00e1tor Daniel Vl\u010dek (1978) se zam\u011b\u0159uje p\u0159edev\u0161\u00edm na um\u011bleck\u00e9 spojen\u00ed zvuku s&nbsp;jeho osobn\u00edm vizu\u00e1ln\u00edm vyj\u00e1d\u0159en\u00edm. Vizualizuje z\u00e1znam zvuku, vibrace a&nbsp;jej\u00edho roz\u0161\u00ed\u0159en\u00ed v&nbsp;prostoru v&nbsp;subjektivn\u00edch obrazech, kde se objevuj\u00edc\u00ed tvary \u010dasto p\u0159ipom\u00ednaj\u00ed technick\u00e9 v\u00fdkresy zvukov\u00fdch vln. T\u00e9mata jeho prac\u00ed \u010dasto souvisej\u00ed s&nbsp;v\u00fdzkumem ekosyst\u00e9m\u016f. V&nbsp;posledn\u00edch letech je fascinov\u00e1n sv\u011btem hub a&nbsp;myceli\u00ed a&nbsp;jejich v\u00fdznamem pro na\u0161i planetu.<\/p>\n<p>Daniel Vl\u010dek je \u010dlenem um\u011bleck\u00e9 skupiny Guma Guar a&nbsp;spoluzakladatel pra\u017esk\u00fdch galeri\u00ed Berl\u00ednskej Model a&nbsp;Ferdinand Bauman Gallery. V&nbsp;roli kur\u00e1tora p\u0159ipravil dv\u011b skupinov\u00e9 v\u00fdstavy v\u011bnovan\u00e9 reflexi zvuku v&nbsp;sou\u010dasn\u00e9m vizu\u00e1ln\u00edm um\u011bn\u00ed (16\u201320 000&nbsp;Hz, Meetfactory, Praha, 2013, s&nbsp;M. Vojt\u011bchovsk\u00fdm; Na po\u010d\u00e1tku bylo ticho, Galerie m\u011bsta Plze\u0148, 2014).<\/p>\n<p>Zab\u00fdv\u00e1 se tak\u00e9 origin\u00e1ln\u00ed hudebn\u00ed produkc\u00ed, vystupuje v&nbsp;elektroakustick\u00e9m duu Ba:zel a&nbsp;s\u00f3lov\u011b pod jm\u00e9nem Relaxcore. Daniel Vl\u010dek je absolventem Akademie v\u00fdtvarn\u00fdch um\u011bn\u00ed v&nbsp;Praze. Studoval u&nbsp;Martina Mainera a&nbsp;Vladim\u00edra Skrepla, absolvoval obor Nov\u00e1 m\u00e9dia u&nbsp;Veroniky Bromov\u00e9 a&nbsp;str\u00e1vil tak\u00e9 semestr na Accademia di Brera v&nbsp;Mil\u00e1n\u011b u&nbsp;Diega Esposito.<\/p>\n<p>\u201eSoust\u0159ed\u00edm svou pr\u00e1ci na propojen\u00ed zvuku a&nbsp;jeho vizu\u00e1ln\u00ed manifestace. Vedle v\u00fdtvarn\u00e9ho um\u011bn\u00ed je hudba m\u00fdm druh\u00fdm nejobl\u00edben\u011bj\u0161\u00edm v\u00fdrazov\u00fdm prost\u0159edkem. V&nbsp;posledn\u00ed dob\u011b se za\u010d\u00ednaj\u00ed p\u0159ekr\u00fdvat nebo spl\u00fdvat. P\u016fvodn\u011b byla mou inspirac\u00ed hudebn\u00ed subkultura jako techno, noise, breakcore atd. Jak \u010das plynul, tyto vlivy se st\u00e1valy m\u00e9n\u011b z\u0159ejm\u00fdmi, jak se grafick\u00e9 vyj\u00e1d\u0159en\u00ed hudebn\u00edch prvk\u016f za\u010dalo objevovat. Na pl\u00e1tno, pou\u017e\u00edvaj\u00edc\u00ed star\u00fd gramofonov\u00fd desku m\u00edsto \u0161t\u011btce, vytv\u00e1\u0159\u00edm jednoduch\u00e9 geometrick\u00e9 vzory s&nbsp;kruhov\u00fdmi motivy. Kdy\u017e tuto \u0161ablonu pohybuji ve stejn\u00e9m rytmu, vytv\u00e1\u0159\u00edm struktury, kter\u00e9 p\u0159ipom\u00ednaj\u00ed technick\u00e9 v\u00fdkresy zvukov\u00e9 vlny.\u201c<\/p>\n<h2>Bio<\/h2>\n<h3>Vzd\u011bl\u00e1n\u00ed<\/h3>\n<ul>\n<li>2001\u20142004 Academy of Fine Arts in Prague, CZ<\/li>\n<li>2000 Accademia di Belle Arti di Brera, Milano, IT<\/li>\n<li>1998\u20142001 Faculty of Fine Arts, VUT, Brno, CZ<\/li>\n<\/ul>\n<h3>Individu\u00e1ln\u00ed v\u00fdstavy<\/h3>\n<ul>\n<li>2024 Liquid Grid , Miroslav Kubik Gallery, Litomysl, CZ<\/li>\n<li>2021 Works On Paper. Drdova Gallery, Prague, CZ<\/li>\n<li>The Next Song (with Josef Bolf), Galerie Franti\u0161ka Drtikola, P\u0159\u00edbram, CZ<\/li>\n<li>2019 Cause And Effect. Drdova Gallery, Prague, CZ<\/li>\n<li>2018 Dark Wave Deco. Berlinskej Model, Prague, CZ<\/li>\n<li>2018 Visually Addictive. Gallery 17\/18, Ottawa, CA (with Ron Martin)<\/li>\n<li>2017 Terminate Sleep Mode. T\u0159inec Municipal Gallery, CZ<\/li>\n<li>2017 Through the Eye of Mechanical Reproduction. Galerie NoD, Prague, CZ<\/li>\n<li>2017 CHa0s_Ch0r3o. Industra Art, Brno, CZ (with \u0160imon Kadl\u010d\u00e1k)<\/li>\n<li>2016&nbsp;A&nbsp;Floating Gap. SET Gallery, Liberec Regional Gallery, CZ<\/li>\n<li>2016 Speed Index. \u0160kolsk\u00e1 28: Communication Space, Prague, CZ (Daniel Vl\u010dek and guests)<\/li>\n<li>2016 Hidden Settings. Gallery of Contemporary Art and Architecture \u2014 House of Arts \u010cesk\u00e9 Bud\u011bjovice, CZ<\/li>\n<li>2015 Further and Higher. Kabinet T&nbsp;Gallery, Zl\u00edn, CZ<\/li>\n<li>2015 Minimal Manual. W7 Gallery, Olomouc, CZ<\/li>\n<li>2015 After the End of Art. Drdova Gallery, Prague (with Levi van Veluw)<\/li>\n<li>2014 If You Record a&nbsp;New Loop Backwards, It Will Still Be Stored in Forward in Memory, But It Will Behave As If It Was Stored Backwards. Drdova Gallery, Prague, CZ<\/li>\n<li>2013 Correct Formula. Entrance Gallery, Prague, CZ<\/li>\n<li>2013&nbsp;A&nbsp;Display of Time in a&nbsp;Track\u2019s Final Moment. Galerie Na shledanou, Volyn\u011b, CZ<\/li>\n<li>2013 Heard, But Not Listened To\u2026 Prokopka Gallery, Prague, CZ<\/li>\n<li>2013 Frozen Arpeggio. Zuty\u0301 M\u00e1nes, \u010cesk\u00e9 Bud\u011bjovice, CZ<\/li>\n<li>2012 Groove Is in the Heart. A. M. 180, Prague, CZ<\/li>\n<li>2012 Singing Ear\u2026 Galerie sam83, \u010cesk\u00e1 B\u0159\u00edza, CZ<\/li>\n<li>2011 Untitled (Overlay). Gallery 207, Prague, CZ<\/li>\n<li>2011 Kindly Familiar. Trafo Gallery, Prague, CZ (with Maty\u00e1\u0161 Chochola)<\/li>\n<\/ul>\n<h3>Skupinov\u00e9 v\u00fdstavy (2021\u20142011)<\/h3>\n<ul>\n<li>2024 Confluence, Venice, IT<\/li>\n<li>2024 Planet ID, Galerie Roudnice, CZ<\/li>\n<li>2021 Second Tongue, Prague House, Brussells, BE<\/li>\n<li>Reality Do You Need Me? 4+4 Days in Motion, Prague, CZ<\/li>\n<li>Resolution, Galerie U&nbsp;B\u00edl\u00e9ho Jednoro\u017ece, Klatovy, CZ<\/li>\n<li>2020 Last Aid, Pragovka Gallery, Prague, CZ<\/li>\n<li>Still, Stillness Is A&nbsp;Form Of Action. What Is There To Learn?<\/li>\n<li>Hope For Mutation. Drdova Gallery, Prague, CZ<\/li>\n<li>2018 Homage to Broadcloth. Textiles in the Context of Art. 8smi\u010dka, Humpolec, CZ<\/li>\n<li>2017 AMIWHATIAMTHINKINGABOUT?, 4+4 Days in Motion, Prague, CZ<\/li>\n<li>2015 Exakta. Galerie NoD, Prague, CZ<\/li>\n<li>2015 Geo Ego. NTK Gallery, Prague, CZ \/ Czech Centre Berlin, DE<\/li>\n<li>2014 7th New Zlin Salon. Regional Gallery of Fine Arts in Zl\u00edn, CZ<\/li>\n<li>2013 Re-Construction of a&nbsp;Mosaic. Hilger Next, Vienna, AT<\/li>\n<li>2011 Pseudoscience. NTK Gallery, Prague, CZ<\/li>\n<\/ul>\n<h3>Kur\u00e1torstv\u00ed<\/h3>\n<ul>\n<li>2014 In the Beginning Was Silence<\/li>\n<li>2013 16\u201420 000&nbsp;Hz (with Milo\u0161 Vojt\u011bchovsky\u0301)<\/li>\n<\/ul>\n<h3>\u010clenstv\u00ed<\/h3>\n<ul>\n<li>Groupe Guma Guar (2003 \u2014 now)<\/li>\n<li>Reverend Dick (music project, 2011 \u2014 now)<\/li>\n<li>St\u0159e\u0161ovick\u00e1 kramle (music project, 2012 \u2014 now)<\/li>\n<li>ba:zel (music project, 2014 \u2014 now)<\/li>\n<\/ul>\n<h3>AIR Residence<\/h3>\n<ul>\n<li>2024- Mc Kinley Visiting Artist , Eskenazi School of Art, Architecture and Design, US<\/li>\n<li>2023 \u2013 The Emily Harvey Fondation, Venice , IT<\/li>\n<li>2022- Guild Hall\/William P. Rayner, East Hampton, US<\/li>\n<li>2019 \u2013 S1, Synth Library Portland, US<\/li>\n<li>2014 \u2013 Egon Shielle Art Centrum, \u010cesky\u0301 Krumlov, CZ<\/li>\n<\/ul>\n<h3>Spoluzakladatel a&nbsp;kur\u00e1tor <a href=\"https:\/\/fbgallery.cz\/\" target=\"_blank\" rel=\"noopener nofollow\">Galerie Ferdinanda Baumanna<\/a><\/h3>\n<h3>Spoluzakladatel galerie <a href=\"https:\/\/berlinskejmodel.cz\" target=\"_blank\" rel=\"noopener nofollow\">Berlinskej Model<\/a><\/h3>\n","protected":false},"excerpt":{"rendered":"Mal\u00ed\u0159, hudebn\u00edk a&nbsp;experiment\u00e1tor Daniel Vl\u010dek (1978) se zam\u011b\u0159uje p\u0159edev\u0161\u00edm na um\u011bleck\u00e9 spojen\u00ed zvuku s&nbsp;jeho osobn\u00edm vizu\u00e1ln\u00edm vyj\u00e1d\u0159en\u00edm. Vizualizuje z\u00e1znam zvuku, vibrace a&nbsp;jej\u00edho roz\u0161\u00ed\u0159en\u00ed v&nbsp;prostoru v&nbsp;subjektivn\u00edch obrazech, kde se objevuj\u00edc\u00ed tvary \u010dasto p\u0159ipom\u00ednaj\u00ed technick\u00e9 v\u00fdkresy zvukov\u00fdch vln. T\u00e9mata jeho prac\u00ed \u010dasto souvisej\u00ed s&nbsp;v\u00fdzkumem ekosyst\u00e9m\u016f. V&nbsp;posledn\u00edch letech je fascinov\u00e1n sv\u011btem hub a&nbsp;myceli\u00ed a&nbsp;jejich v\u00fdznamem pro na\u0161i planetu. [\u2026]","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-about.php","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-3746","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/pages\/3746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/comments?post=3746"}],"version-history":[{"count":0,"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/pages\/3746\/revisions"}],"wp:attachment":[{"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/media?parent=3746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}