{"id":3760,"date":"2024-04-02T13:01:21","date_gmt":"2024-04-02T11:01:21","guid":{"rendered":"https:\/\/vlcek.moravany.eu\/vladimir-houdek\/"},"modified":"2025-01-18T00:01:07","modified_gmt":"2025-01-17T22:01:07","slug":"vladimir-houdek","status":"publish","type":"page","link":"https:\/\/danvlcek.com\/cs\/","title":{"rendered":"Daniel Vl\u010dek"},"content":{"rendered":"<p class=\"p1\">Mal\u00ed\u0159 a&nbsp;hudebn\u00edk Daniel Vl\u010dek propojuje sv\u011bty zvuku a&nbsp;vizu\u00e1ln\u00edho um\u011bn\u00ed a&nbsp;zkoum\u00e1, jak digit\u00e1ln\u00ed doba p\u0159etv\u00e1\u0159\u00ed na\u0161e vn\u00edm\u00e1n\u00ed obou t\u011bchto oblast\u00ed. Jeho tvorba vych\u00e1z\u00ed z&nbsp;tradice \u010desk\u00e9 geometrick\u00e9 abstrakce 60. a&nbsp;70. let 20. stolet\u00ed, ale jde daleko za jej\u00ed hranice. Malbu poj\u00edm\u00e1 jako akt p\u0159ekladu hudebn\u00edch princip\u016f do vizu\u00e1ln\u00ed podoby. Charakteristick\u00fdmi rysy jeho d\u011bl jsou slo\u017eit\u00e9 geometrick\u00e9 struktury, kruhov\u00e9 motivy a&nbsp;hypnotick\u00e9 vzory, kter\u00e9 p\u0159ipom\u00ednaj\u00ed optick\u00e9 moir\u00e9 efekty. Tyto prvky funguj\u00ed jako vizu\u00e1ln\u00ed ekvivalent binaur\u00e1ln\u00edch t\u00f3n\u016f, kter\u00e9 div\u00e1ky vtahuj\u00ed do lehk\u00e9ho transu, kde se zrak st\u00e1v\u00e1 kan\u00e1lem pro p\u0159\u00edmou ment\u00e1ln\u00ed stimulaci.<\/p>\n<p class=\"p1\">\u00dast\u0159edn\u00edm t\u00e9matem Vl\u010dkovy tvorby je vizualizace neviditeln\u00e9ho \u2014 odhalov\u00e1n\u00ed skryt\u00fdch propojen\u00ed mezi pr\u016fmyslem a&nbsp;p\u0159\u00edrodou, technologi\u00ed a&nbsp;biologi\u00ed. Zam\u011b\u0159uje se na dekonstrukci abstraktn\u00edho jazyka a&nbsp;hojn\u011b \u010derp\u00e1 z&nbsp;estetiky v\u011bdeck\u00fdch a&nbsp;technick\u00fdch ilustrac\u00ed, aby zpochybnil tradi\u010dn\u00ed pojet\u00ed um\u011bn\u00ed a&nbsp;v\u011bdy.<\/p>\n<p class=\"p1\">V posledn\u00edch letech se Vl\u010dek obr\u00e1til ke slo\u017eit\u00fdm syst\u00e9m\u016fm p\u0159\u00edrodn\u00edho sv\u011bta, zejm\u00e9na ke komplexn\u00edm s\u00edt\u00edm myceli\u00ed a&nbsp;mikroorganism\u016f, a&nbsp;zkoum\u00e1 jejich z\u00e1sadn\u00ed ekologick\u00fd a&nbsp;planet\u00e1rn\u00ed v\u00fdznam. Pro Vl\u010dka v\u0161ak nen\u00ed ekologie pouze vizu\u00e1ln\u00ed, ale tak\u00e9 akustick\u00e1. Ter\u00e9nn\u00ed nahr\u00e1vky, kter\u00e9 po\u0159izuje, \u010dasto tvo\u0159\u00ed po\u010d\u00e1tek jeho um\u011bleck\u00e9ho procesu. Tyto zvuky p\u0159\u00edrody a&nbsp;prost\u0159ed\u00ed se st\u00e1vaj\u00ed z\u00e1kladem pro jeho zvukov\u00e9 kompozice, kter\u00e9 se prol\u00ednaj\u00ed s&nbsp;jeho vizu\u00e1ln\u00ed tvorbou. Jeho d\u00edla se tak vyvinula v&nbsp;technospiritu\u00e1ln\u00ed artefakty rezonuj\u00edc\u00ed se sou\u010dasn\u00fdmi ekologick\u00fdmi my\u0161lenkami a&nbsp;nab\u00edzej\u00ed meditaci o&nbsp;symbi\u00f3ze mezi \u010dlov\u011bkem, p\u0159\u00edrodou a&nbsp;technologi\u00ed. Vizu\u00e1ln\u00ed tvorbu \u010dasto doprov\u00e1z\u00ed zvukov\u00e9 instalace a&nbsp;hudebn\u00ed kompozice, kter\u00e9 dotv\u00e1\u0159\u00ed smyslov\u00e9 prost\u0159ed\u00ed, v&nbsp;n\u011bm\u017e se hranice mezi zvukem, obrazem a&nbsp;my\u0161lenkou rozpou\u0161t\u011bj\u00ed. Prost\u0159ednictv\u00edm t\u00e9to synt\u00e9zy n\u00e1s Vl\u010dek zve k&nbsp;transforma\u010dn\u00edmu zkoum\u00e1n\u00ed neviditeln\u00fdch sil, kter\u00e9 formuj\u00ed n\u00e1\u0161 sv\u011bt.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"Mal\u00ed\u0159 a&nbsp;hudebn\u00edk Daniel Vl\u010dek propojuje sv\u011bty zvuku a&nbsp;vizu\u00e1ln\u00edho um\u011bn\u00ed a&nbsp;zkoum\u00e1, jak digit\u00e1ln\u00ed doba p\u0159etv\u00e1\u0159\u00ed na\u0161e vn\u00edm\u00e1n\u00ed obou t\u011bchto oblast\u00ed. Jeho tvorba vych\u00e1z\u00ed z&nbsp;tradice \u010desk\u00e9 geometrick\u00e9 abstrakce 60. a&nbsp;70. let 20. stolet\u00ed, ale jde daleko za jej\u00ed hranice. Malbu poj\u00edm\u00e1 jako akt p\u0159ekladu hudebn\u00edch princip\u016f do vizu\u00e1ln\u00ed podoby. Charakteristick\u00fdmi rysy jeho d\u011bl jsou slo\u017eit\u00e9 geometrick\u00e9 struktury, [\u2026]","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-homepage.php","meta":{"_acf_changed":false,"wp_typography_post_enhancements_disabled":false,"footnotes":""},"class_list":["post-3760","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/pages\/3760","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/comments?post=3760"}],"version-history":[{"count":4,"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/pages\/3760\/revisions"}],"predecessor-version":[{"id":4282,"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/pages\/3760\/revisions\/4282"}],"wp:attachment":[{"href":"https:\/\/danvlcek.com\/cs\/wp-json\/wp\/v2\/media?parent=3760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}